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    • Disney rebooting The Muppet Show For Its Streaming Service

      1 month ago

      ericvespe

      I'm making a big assumption here, saying that Disney is rebooting The Muppet Show specifically. All that has been revealed in a Hollywood Reporter piece is that Disney is going to be rebooting the Muppets for its streaming service they aim to have ready next year. They say it won't be a movie, but a series, so I'm just going to say that it's a reboot of The Muppet Show because that's a great idea and we'll all forget about whatever the hell they did on ABC in 2016.



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      Having a weekly Muppet Show that throws back to the edgy, but kind-hearted wit of the original show with modern celebrity guests sounds super up my alley. 


      Disney's going all out with this as yet unnamed streaming service, promising a live action Star Wars show, some kind of Marvel content, access to their huge library of films and now this Muppets thing. They had me at "Star Wars Show" and everything they're announcing after is pure nostalgic gravy for me. Hrmm... Let's forget I put the words "nostalgic gravy" out there, shall we? We'll put it in the same "it didn't happen" box that we're putting the shitty ABC Muppets reboot in. 'kay? 'kay. 

    • Ready or Not, Jurassic World 3 is coming June 11th, 2021!

      1 month ago

      ericvespe

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      You may think it's weird that Universal is announcing a release date for a third installment in a franchise before the second installment is even released, but that's kind of the way Hollywood operates these days.


      Look at their fumble with the Dark Universe. They announced cast and projects bringing their monsters into a giant shared universe and then oops, The Mummy fizzled, public interest was flatlining and suddenly all those projects are gone now.


      It's a little less of a gamble here. Jurassic World: Fallen Kingdom would have to flop big time for them to rethink this because the first Jurassic World made so, so, so, so much money. Jurassic World 2 would have make Pluto Nash money to derail this franchise at this point.


      People like dinosaurs, they like Chris Pratt and they want to see those two things together in big, spectacle films. It's not a hard formula to figure out.


      According to The Hollywood Reporter Colin Trevorrow will return to co-write alongside franchise newcomer Emily Carmichael, who seems to have been picked by Spielberg himself after Amblin picked up a script of hers called Powerhouse. She has also written a remake of The Black Hole for Disney and worked on the Pacific Rim sequel hitting later this year.


      No director is attached yet.


      Early days, for sure, but again... barring catastrophe this is a no-brainer for Universal. 

    • Not surprising, but still good news: Jessica Chastain in talks to play adult Bev in It: Chapter Two!!!

      2 months ago

      ericvespe

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      Forgive me for the bragging I'm about to do, but I swear I have a point to it. I'm a big Stephen King nut. Like I've literally read every one of his novels and I started doing so in the 6th grade (Cujo was the first book I read). So I let it be known to the powers that be at Warner Bros that I was interested in visiting the set of the film adaptation back when I was with Ain't It Cool and got an invite to the press day.


      While there I got to see a lot of cool things and talk to pretty much everybody, including every one of the kids in the Losers Club. Way back then, when they were still shooting the first one, I asked them to fancast their adult selves should It prove to be popular and warrant a sequel that finishes the second half of the story told in King's giant book.


      They all had great answers (read them all here in more depth if you wish)... Jeremy Ray Taylor pointed out that Ben buffs up when he gets older, so he wanted Chris Pratt, Jack Grazer said in another interview closer to release he saw Jake Gyllenhaal as grown up Eddie (if you saw Okja you know he could pull this off), Finn Wolfhard chose Bill Hader for grown up Richie (brilliant, by the way), Wyatt Oleff thought Joseph Gordon-Levitt would be good for Stanley, Chosen Jacobs liked either Chadwick Boseman or David Oyelowo for Mike (I think Oyelowo is about as perfect casting as possible for that character), Jaeden Lieberher was drawing a blank for Bill and one of the press people attending suggesting Alexander Skarsgard. Jaeden seemed to like it, but Finn loved it, said it would be a big f-you to their Pennywise, Bill Skarsgard, who is Alexander's little brother.


      The very first person who we asked to fancast their adult selves was Sophie Lillis and her response was short, but sweet: "Jessica Chastain. No brainer." 


      Andy and Barbara Muschietti seem to agree as Variety has revealed that Chastain is officially in negotiations to star in the sequel. 


      No surprise. She's the obvious choice with or without the support of her younger self and she also has a history with the Muschietti's, having starred in their first feature film Mama. 


      I'm psyched. I adored the first chapter and I can't wait to see them build up this cast and finish out this story. Looks like that September 2019 release date might still hold since they're casting up now. 


      One other tidbit from the set visit: Andy Muschietti talked about his desire to bring the kids back for the sequel, wanting to film some flashbacks that would influence the adults' story, stuff that wasn't in the first film. He's gotta work fast because all those kids are at an age where 6-12 months will radically change their voices and appearance!

    • Yep, Black Panther Is Pretty Great! Check Out My Review!

      2 months ago

      ericvespe

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      The hype is strong for Black Panther. I certainly felt the weight of it as I sat down for the press screening. Not only was this movie supposed to be an all-timer, but it's also super duper important culturally and anyone who doesn't love it probably hates black people and donates to Donald Trump on the regular.


      Thankfully the movie is really damn good so I don't have to question my own progressiveness. Phew, that was a close one.


      Is it in danger of being overhyped? Yeah, for sure. At the end of the day it's a good superhero movie, but I didn't walk out of it feeling like I did after credits rolled on The Dark Knight or even The Avengers.


      To be fair, Black Panther is about something way different than either of those films. Avengers was a big feel good ass-kicking actionfest that was all about dazzling you with the first ever superhero team up of that scale and The Dark Knight was a dark, gritty examination of how good people deal with the injection of chaos into their world. Black Panther isn't going for either of those two feelings, falling somewhere between the two, actually.


      There isn't much action in the movie. In fact it plays a little more like a modern era James Bond film than a typical Marvel superhero story for almost all the action in the first half. The fights are one on one as T'Challa proves his worthiness for the throne and there's a mission to a South Korean underground casino that reminded me a ton of Skyfall in how it was shot and the political intrigue on display.


      This film is more concerned with character and world-building than it is on dazzling you with an action set piece very 15 minutes. Instead it cranks up the emotional stakes until you get the big final action scene, filled with warring tribes on the ground, dogfights in the skies and, yes, armored rhinos, that leaves you exiting the theater feeling fulfilled on that front but when you look back you realize just how little action is actually in the movie.


      That's a testament to a few things working very well. There's the wonderful direction from Ryan Coogler that keeps the pace going and puts an emphasis on bringing out the most personality he can out of his actors. There's the incredible production value on display. Wakanda is bright, detailed, vibrant and just about every single shot, interior or exterior, offers a visual feast for the eyes. From cinematography to production design to wardrobe to makeup, all departments are way on point.


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      I suppose there could be human beings in this world that will be upset that Black Panther is isn't wall to wall kicking and scratching and stabbing and punching, but they'd be overlooking some pretty great character work to complain about it. Hard to believe comic book fans would complain about the little stuff, though, right?


      Oddly enough Black Panther himself is one of the least interesting characters in this film. He's not a bad character by any means and Chadwick Boseman is more confident in his performance than he was in Civil War, but the very nature of T'Challa's place in this story forces him to be a bit more serious. He's taking on the mantle of King. There's no conflict about that even if he does feel the weight of the throne. His struggle in the movie is all about his desire to be a good King, but not knowing if he can be. He's terrified of letting his country down, but even from early on he doesn't let that fear control him.


      So as a character he doesn't grow too much. He's steadfastly good-hearted, a rock for his people, but with the weight of that responsibility on him the whole time.


      That allows the movie to get stolen by some more colorful, looser performances. Everybody is going to walk away from this movie adoring Letitia Wright's Shuri. She's T'Challa's sister and kind of Q from James Bond folded into Tony Stark. She's smart, but young and so, so full of smart-ass that she brightens literally every scene she's in just by being there.


      Then there's Danai Gurira, playing Okoye, the head of the royal guard and loyal to the throne above all else. Gurira could have played this more serious and been badass and intimidating, but by going the more human route she becomes so much richer. She's cocksure and an incredible warrior, but she's also kind and funny and willing to call it like it is, no matter who she's talking to.



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      Okoye also happens to have the most internal conflict in the movie. She's incredibly loyal, but her oath is sworn to the throne, not a specific king. So when the big bad guy comes in and challenges T'Challa to the throne her alliance is tested. She knows Erik Killmonger is bad news and doesn't like his politics. She also knows that T'Challa is a better king, but that's not her choice to make.


      It's a fascinating place to put the greatest warrior asset in this film and Danai Gurira sells every aspect of it; the doubt, the resolve, the badassness, the conflict... it's all there and Gurira makes it look effortless as she somehow expresses it all from scene to scene.


      I brought up Michael B. Jordan's Erik Killmonger, who we know is the bad guy because he spells his name with the evil 'K' instead of the heroic 'C'. Another of this film's strengths is we actually have a good, well-rounded villain. That's not to say Killmonger isn't diabolical at certain points. There definitely fun had and some rhetorical mustaches get twirled, but you can see things from his point of view.


      In many ways he's a stronger leader than T'Challa. He may not be as wise and good-hearted, but he has a plan to save his people... not just the safe, hidden world of Wakanda, but all repressed people of color all over the world. It's time to shift the power away from those who enslaved and back to the people who were wronged. He's not wrong that societies are built to prevent that power from shifting and his plan isn't about making him ruler of the world, really. There's an altruistic undercurrent to the reason he wants the power.


      The easy comparison is that T'Challa is MLK and Killmonger is Malcolm X. They have similar goals and desires, but Killmonger is impatient and willing to use more aggressive tactics. This leads to a faceoff that is actually very dramatic and not just CGI dudes punching each other a lot. There's that, too, of course, but there's meaning behind it and the stakes for winning or losing this fight is high. The result will define the conscience of a whole nation.


      Coogler brings all this to screen in an authentic way that can't be denied. The Afrofuturist look executed so well and automatically makes this a different kind of superhero film. The uniqueness is a fresh flavor for the MCU and on a deeper societal level carries with it a level of representation previously unseen. Yes, we've had great roles for people of color in tentpole cinema, but this isn't just about having a strong black man in a costume, it's about embracing a culture and giving it the same love and signal boosting attention as we do with our traditional European heroes.


      I know I started this review kinda making fun of the woke reviewers, but it is something you can not separate when watching this movie. At least I, a white man quickly approaching middle age, couldn't. That feel of something new is so tied in with the character and the story being told and the world they've built is unquestionably at the forefront of this movie, which could piss off a lot of the more right-leaning white folks that see the movie, but the counter to that is it's going to inspire so many more people on the other side of that coin for exactly the same reasons. Black Panther doesn't hide its differences. It celebrates them. That is the takeaway here and that is what feels revolutionary about the whole project.



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      I hope this if the first of many like giant mega blockbuster films. The box office predictions seem to indicate it might be. There's one thing Hollywood like above all else and that's money. If it become financially safe to make these kinds of movies with this kind of diverse cast then the door will be blown wide open.


      That's exciting, not just from a politically progressive standpoint, but also a cinema-loving standpoint. More diverse voices means more diverse storytelling, which means better, less predictable movies. Also, as a comic book movie fan, it means at least Marvel is still in the business of changing things up. Guardians of the Galaxy changed the feeling of what superhero movies could be. Black Panther does it as well. That will be why Marvel succeeds for another 10 years.

    • Ready Player One Gets A Sweet Painterly Poster!

      2 months ago

      ericvespe

      I'm still flabbergasted that this movie is actually real and is coming out soon. Ready Player One directed by Steven Spielberg is so batshit crazy as a concept that it's either going to be a massive train wreck or something amazing. There doesn't seem to be much middle ground on this one.


      Today they debuted a new poster that is very much in the Spielberg/Struzan style although I don't think the legendary Drew Struzan actually did this one. It's good enough to be one of his, but I don't see his distinct signature anywhere.


      UPDATE: This is the work of the great Paul Shipper whose work you might know from those awesome Scream and Shout Factory Special Edition Blu-Rays. For years he's been the heir apparent to Drew Struzan and I guess he's finally arrived if I even questioned whether or not this piece was a Struzan! Check out more of his work here!


      Check it out:



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      That's a way better poster than the previous one, which features star Tye Sheridan with a Go-Go Gadget extra long leg that you can't unsee once you see it.



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      I still have no idea if this is going to be great or awful, but if there's one thing I've learned in all my years being a movie geek it's that you never, ever bet against Steven Spielberg.

    • Michael Fassbender is going to star in a Kung Fury movie? Say what now?

      2 months ago

      ericvespe

      Words I didn't expect to see today were "Michael Fassbender and David Hasselhoff are going to co-star in..." But that's exactly what I saw.


      Looks like Michael Fassbender will take center stage for a feature length Kung Fury film. Yeah, that Kung Fury. 



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      Tracking-Board got the scoop and I'm still not sure if someone somewhere is playing an elaborate pre-April Fool's Day Joke or not, but it seems legit. 


      The people who produced IT are behind this feature and this is either going to be the worst thing ever made or a stroke of a genius. I can't tell, which is pretty exciting in and of itself, but I'll believe this is real when I actually see it.

    • Happy Birthday Joe Don Baker, Christina Ricci and Abraham Lincoln! You Should Watch...

      2 months ago

      ericvespe

      Welcome friends and neighbors to a new edition of Happy Birthday... You Should Watch! Lots of birthdays today, February 12th, but I'm narrowing it down to three so this doesn't turn into a novella.


      The two going to ignore are Josh Brolin and Michael Ironside. Sorry fellas! But naturally for Brolin I have to go with Inherent Vice (not my favorite movie, but it's probably my favorite Brolin performance... just the chocolate covered banana scene by itself is the best thing he's ever done) and for Michael Ironside... this is tougher. He's been great in so many things... Scanners, Total Recall... But my gut is saying Starship Troopers because he gets to be his usual tough-ass self, but not a villain.



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      Addams Family Values (1993) – I was going back and forth between two Christina Ricci performances in my mind. The one I was more inclined to focus on was a film called Black Snake Moan. It's great, she's amazing in it and it's not something everybody has seen. But it's also a movie where she spends 2/3rds of it chained to a radiator while wearing nothing but a cut-off shirt and panties, so any image from the movie I wanted to use looked like I was objectifying her. The movie's more than that, so seek it out if you can, but I went with a little bit of a safer pick.


      Both early '90s Addams Family movies are great, but I think I may like the sequel better and a big part of that is because of what they do with Wednesday Addams. Addams Family Values splits up the family in more ways than one. Uncle Fester is preyed upon by a money-hungry husband killer (a great turn by Joan Cusack) who gets in-between him and the rest of the family. At the same time the kids are sent to a summer camp.


      I was Ricci's age when this movie came out and I'm pretty sure I fell in love while I was in that movie theater. Wednesday's outsider status combined with her gleeful darkness would pretty much define my ideal girlfriend throughout my teenage years. It's no surprise to me that my first longterm girlfriend bore more than a passing resemblance to Ms. Ricci.


      The jokes in the movie come at you lightning fast and there's so much charm on display. The chemistry between Raul Julia and Angelica Huston was so note perfect it really does make me sad Julia passed so young and kept us from getting another half-dozen more of these films.



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      Walking Tall (1973) – Joe Don Baker is one of my favorite character actors. He's probably best known for being Bond's charming American connection in the Pierce Brosnan era (funny since he played a completely different character, a villainous military leader, in The Living Daylights) or the redneck dad in Mars Attacks! Or, for you, MST3K fans, the star of Mitchell, one of the most popular episodes of that point and laugh at bad movies show.


      I kinda like Mitchell... it's silly, but typical of the drive-in action fare of the day. But that's not the one I'm going to recommend on Mr. Baker's 82nd birthday. Nope, the one I recommend is called Walking Tall. The Rock remade it with Johnny Knoxville a few years back in one of the most bizarre adaptations in cinema history. They turned it into a PG-13 action film which is absolutely a disservice to the original story.


      Walking Tall is a true story based on a real life Southern Sheriff named Buford Pusser. He was a bit of a crime-fighting folk hero known for protecting the people of his small Tennessee town with a hunk of wood. He fought low level crime and corruption in his local government. Mr. Pusser was alive when this film was made and was even supposed to star as himself in the sequel, but died in a car crash. The sequels ended up starring Bo Svenson and did cover his death, framing the car accident as the result of him taking on the corruption in this small town.


      Baker is front and center here and force to be reckoned with. He's angry, he's brutal and he's just kind of a regular guy. That was the beauty of the era... character actors could be leads and Joe Don Baker was a great lead here.


      Walking Tall was a massive success on the drive-in circuit and for reasons I don't know Baker was one-and-done with it, instead moving on to two truly great '70s films: The Outfit (starring Robert Duvall) and Charlie Varrick (starring Walter Matthau).


      You can rent Walking Tall on most of the steaming outlets (YouTube, Amazon, GooglePlay and iTunes). Just make sure you're getting the good one. Remember, it's Walking Tall not Rocking Tall.



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      Bill & Ted's Excellent Adventure (1989) – This one was an easy call. Before his death, the 16th US President Abraham Lincoln was brought to the '80s thanks to a time traveling phone booth to appear in a documentary called Bill & Ted's Excellent Adventure.


      Mr. Lincoln did a lot of good in his life. He delivered inspiring speeches that are still remembered today, he fought to end slavery, and put in motion a reconstruction effort that would hastily mend a deeply divided nation. It doesn't surprise me he'd help out a couple time traveling kids with their history project. He was just a good dude, you know?


      There have been plenty of talented people who have played Lincoln, like Henry Fonda and Daniel Day Lewis, but this marks the only movie where Lincoln was able to play himself and he pulls it off without any camera shyness or awkward line delivery. Obviously all those years giving political speeches prepped him for this, perhaps his greatest moment.


      That's it for today. Here are the trailers for all three films we talked about:











      Happy birthday Joe Don Baker, Christina Ricci and Abe Lincoln! Party on, dudes!


      -Eric Vespe

      @ericvespe on Twitter

    • Harry Potter's Chris Columbus To Write and Direct a FIVE NIGHTS AT FREDDY'S Movie!

      2 months ago

      ericvespe

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      Five Nights At Freddy's is fucked up. And I love it. Even more than the game itself, I love how it has become a staple for young gamers. My nephews (10 and 7) act as my informants in what the kids of today are interested in. Lots of YouTube personalities, Minecraft, Pokemon and this thing, a creepy game about a kid's pizza place that certainly bears no resemblance to Chuck E. Cheese's where the messed up animatronics come to life every night to torment the overnight security guard.


      Blumhouse picked up the property a while ago when Monster House's Gil Kenan was attached. Mr. Kenan isn't on board anymore, but he's been replaced by an interesting director: Chris Columbus (per Deadline).


      Columbus made his name in the Amblin circles in the '80s. He wrote Gremlins and Goonies for Spielberg, went on to direct Home Alone and Mrs. Doubtfire in the '90s and then hit the jackpot when he was the first to bring Harry Potter to the big screen. You can argue the quality of those first two Potter movies all you want, especially compared to the later, more mature, films, but there's no question Columbus did a masterful job casting the characters and setting up a visual language that would define the series.


      He's been in a bit of a slump post-Potter. I'm not a fan of his Percy Jackson film and his last directorial outing was Pixels, so... yeah. 


      There's a question to tone, but since the Five Nights At Freddy's adaptation is at Blumhouse I imagine they're not going to shy away from the horror side of this story. To ignore that would be to completely miss the point of the game's success. The imagery can be soft, it doesn't have to be an R-rated movie or anything, but the reason the game became a phenomenon was the tension it built as you looked from camera to camera as you tried to keep an eye on the horror show slowly creeping toward you. 


      A Gremlins tone is actually pitch perfect for this thing. Take the horror seriously, but keep it fun and not too emotionally scarring. But how much of that perfect Gremlins tone was Joe Dante and how much was the script? Can Columbus do it?


      I guess we'll find out! 

    • Kathleen Kennedy and Ron Howard Talk About Transitioning Solo Away From Lord & Miller!

      2 months ago

      ericvespe

      One of the biggest movie shake ups in recent memory was last summer when Chris Miller and Phil Lord were fired from their Young Han Solo movie mere weeks before filming was to wrap up. 


      Entertainment Weekly has a bunch of Star Wars related stuff hitting right now and one of their pieces is quotes from Kathleen Kennedy and Ron Howard about that time, what went down and where their mindset was when these crucial decisions were made.


      Ron Howard had this to say: “I know Chris and Phil. They’re incredibly talented guys, and all anyone at Imagine Entertainment wants to do is find a way to work with Chris and Phil, and that’s every bit as much the case today as ever, but when I learned that this change was happening, it just came in a moment where I was working on lots of new projects for Imagine, and I had not planned to direct anything last year. So then this came my way, and I was talking to Kathy, and the now tragically late Alli Shearmur, an old friend. I was reluctant, but I also began to feel that I could help.”



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      He also said that Lord & Miller's fingerprints are still all over the movie, but he hopes fans won't be spending time in the theater trying to pick apart what's theirs and what's his and just let the movie play for them.


      Kathy Kennedy won't say a bad thing about Lord & Miller either, but did double down on the talk that they just weren't prepared to work in the way these films demand. 


      “I think these guys are hilarious, but they come from a background of animation and sketch comedy and when you are making these movies you can do that and there’s plenty of room for improvisation, we do that all the time, but it has to be inside of a highly structured process or you can’t get the work done and you can’t move the armies of people to anticipate and have things ready. So, it literally came down to process. Just getting it done.”


      Of course, all this is true... from their point of view. Lord & Miller have been jovial about the situation in the few public appearances they've made since all the turmoil, but they've mostly kept their heads down and focused on their participation in producing the upcoming animated Spider-Man film at Sony that will be seeing MIles Morales behind the mask and writing their followup to The Lego Movie. Right now we just have Lucasfilm and Howard's side of things. 


      I'm sure in time we'll get more of the fuller picture, but it's interesting to see a more detailed point of view of this massive event.


      Of course mid-stream changes isn't new and often isn't bad news. Michael J. Fox famously replaced Eric Stoltz as Marty McFly in Back to the Future after Robert Zemeckis shot half the movie (which Kathleen Kennedy produced, by the way). 


      We won't know if the final film survived until May, but I'm an optimist and I never walk in to any movie hoping to dislike it. Especially a Star Wars movie.


    • Joaquin Phoenix In The Running To Be Yet Another Joker For The DCEU?

      2 months ago

      ericvespe

      Because we can't have enough cinematic Jokers Warner Bros is going after yet another new head to cover with pasty makeup and green hair. 


      They're planning a standalone, one-off Joker movie that Todd Phillips is producing and directing that for some reason will not feature their chosen cinematic Joker, Jared Leto. I mean, for all the good reasons it's not starring Jared Leto, but the studio is keeping him on anyway for further DCEU movies. 


      This doesn't make a damn bit of sense to me. Either commit to what you've done and give us a little consistency or recast. But what do I know? I'm just a nerd at a computer, not an exec making seven figures a year.


      Phillips has made his perfect Joker choice clear: He wants Joaquin Phoenix and Variety says Phoenix has weighed it and tentatively agreed. Contract negotiations haven't begun yet, so this is very, very early days, but it's what's in front of us right now.



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      The Wrap's Umberto Gonzalez added on that Leonardo DiCaprio has also met with Phillips about the role multiple times. Now that would have been interesting considering just how much DiCaprio idolizes Jack Nicholson (and is slowly starting to morph into him as he ages), who very memorably played The Joker in Tim Burton's Batman.


      Phoenix's intensity is a very interesting component to bring to the character. I can see him actually making the Joker scary, which is about as far away from Leto's interpretation as you can get. 


      I don't object to him in the role, I just think it's stupid to be muddying the DCEU waters even further with multiple versions of the same character. If they have a smart script solution to that I'm all ears for it, but right now it sounds like a not great idea.


      Little known fact: If Phoenix does take on the role it won't be his first foray into the DC comics world. Way back in the early days of his career, his Leaf Phoenix days, he was in a show called Little Hercules and this happened... 





      So now he has to play The Joker just so this video becomes the most watched thing in the history of the internet. 


      What do you folks think?

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